The quest to write, record, produce and release a song a week. To read why I’m doing such a thing as well as being a full-time producer and musician for others, check out the first ‘A Song A Week’ blog post HERE.
A Song A Week is written by me, a songwriter and musician, but it appeals to people from all walks of life and professions, so no matter how you’ve found yourself here, try to take something from it and implement it in your own life.
Welcome to Week 20 of the A Song A Week blog. I’m going to dive straight in with how ‘Dirty Ground’ came to be…
I massively recommend listening to the song whilst you’re reading, so if you don’t have Spotify, then you can listen on iTunes/Apple Music HERE or EVEN BETTER, to support the blog, podcast, the song itself and ME you can get the song directly at the amazing PATREON HERE or on the picture below ↓
It’s also available on all major streaming and music stores across the internet, just search for ‘Tom B. Cooper’ on your preferred service and I’ll show up!
A Song of Old
Hey, hey, hey! I trust you’re well!
Dirty Ground is an old old old old old old old old song. Well, I wrote it in around 2008 anyway.
That very first version I wrote with my pal Carly (who also co-wrote Week 8’s A Song A Week release ‘Korvatunturi’ which you can read about and listen to HERE) is basically exactly the same now as it was then.
So, Carly and I used to be in a band called Mr Fynn and we wrote some pretty cool songs, if I do say so myself.
We were even supported by a very young, very shy and only 3 people turned up to see him Ed Sheeran at a particularly seedy venue in Kingston many moons ago.
Glad to see things have worked out equally well for both of us………
Well, anyway, I digress… I look back with incredibly fond memories of Mr Fynn and whenever I think of our songs I smile and maybe humm a melody for a bit and then I get on with my day.
Except for when I think about Dirty Ground.
Firstly, it was the first song that I ever solely wrote with Carly (and we’ve gone on to write together a whole bunch of times since), but far less nostalgic than that – I think the song is pretty damned good.
It’s interesting musically and I think Carly’s lyrics for the song are absolutely excellent.
So, why rehash old material? Well, if a song is a good song (in ones opinion, obviously), then it’s a good song (in ones opinion!)
On the flip side of that (and something I come across an awful lot with my production hat on) if a song isn’t a strong song, it doesn’t matter what bells and whistles and latest production trends and trickery and excellent musicianship and fresh sounds and great mixes and money thrown at at it and this that and the other – if it’s not a strong song, it’ll probably never be a strong song.
Again, all of this is up to the listener really, but I have to make judgement calls as a songwriter and as a producer and mix/mastering engineer every single day that are unique to me alone based on experience, art, science, trend and taste.
At the end of the day, I was still thinking about Dirty Ground being a song worth recording again some 9 years after first writing it, so there’s got to be something in that.
But You Didn’t Write A Song This Week
True, but I did write Dirty Ground 9 years ago and I worked really bloody hard on it… so there!
and, to be totally honest with you, it was really nice doing a song this week where I didn’t have to write the lyrics.
Really really nice actually.
Every time I write with Carly or listen to her lyrics, I just think what a superb wordsmith she is (you can hear more of her music with her excellent duo (featuring Dean Morris, of Mr Fynn fame! (No way man! (way!))) Pipe & Tabor HERE
And really, I didn’t have to worry about any actual writing at all. I already knew how I wanted the song to sound, because I’d already worked so hard on the songwriting so long ago and I guess I’ve been evolving it in my head for 9 years really.
So it meant I was able to spend a proper and decent amount of time on recording and production and I think it’s resulted in a very cool and polished sounding production, without the time restraints I sometimes find myself with during other weeks… if only there were some way to make sure I had more time to work on A Song A Week (PATREON, PATREON, PATREON, PATREON, PATREON, go to PATREON and your and my life will be 100x better, PATREON, PATREON, PATREON)
Maybe I’m being too nostalgic with Dirty Ground and I’d love to know what you think in comparison to the other 19 thus far, so don’t hesitate to let me know, but I think it’s a damned good song and I think it sounds pretty damned cool too!
Thank you so much for reading. I hugely appreciate it. The absolute best way you can support me and this blog is by listening to and sharing my music and what I’m doing, so you can…
It’s also available on all major streaming and music stores across the internet, just search for ‘Tom B. Cooper’ and this song and all the rest will show up!
I absolutely love doing A Song A Week, but they take up a lot of my own time and money, which as a self-employed musician, I don’t have a lot of either of those things! So you can also show your support on Patreon by clicking the image below, or by clicking right HERE. (If you haven’t heard of Patreon, it’s absolutely awesome for you and for people like me, so go go go!)
I also do a weekly podcast to go with the A Song A Week blog, which I actually record as I go, so it’s really like you’re there with me as the song goes from idea to fully finished. To listen and subscribe to the A Song A Week Podcast, click the image below or right HERE. (If you’re on iTunes, otherwise just search for ‘Tom B. Cooper A Song A Week’ in your preferred podcast service and it’ll show up! Or, there’s a link on your right in the sidebar)
Peace and happy music making.
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